Taoism and the Arts of China brings together a remarkable collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (fifth-third century b.c.) to the Qing dynasty ...(展开全部)

"The Religion of China: Confucianism and Taoism" (original Free Press edition 1951) is one of a number of works by the German sociologist Max Weber (1864-1920) published in English translation only long after his death, during a post-World-War II boom in Anglo-American interest in his writing. Such interest has recurred at irregular intervals since (one marked by this 1968 pape...(展开全部)

"The Religion of China: Confucianism and Taoism" (original Free Press edition 1951) is one of a number of works by the German sociologist Max Weber (1864-1920) published in English translation only long after his death, during a post-World-War II boom in Anglo-American interest in his writing. Such interest has recurred at irregular intervals since (one marked by this 1968 pape...(展开全部)

For the fifth edition of his internationally renowned "The Arts of China", Michael Sullivan has thoroughly revised and expanded every chapter of this classic history of Chinese art from the Neolithic period to the present day. This new edition reflects the latest archaeological discoveries, pays greater attention to the art of calligraphy, provides more information on Chan (Zen...(展开全部)

For the fifth edition of his internationally renowned "The Arts of China", Michael Sullivan has thoroughly revised and expanded every chapter of this classic history of Chinese art from the Neolithic period to the present day. This new edition reflects the latest archaeological discoveries, pays greater attention to the art of calligraphy, provides more information on Chan (Zen...(展开全部)

For the fourth edition of his much-heralded The Arts of China, last published in 1984, Michael Sullivan has thoroughly revised and expanded this classic history of Chinese art from the Neolithic period to the 1990s. He draws on archaeological discoveries in the last two decades of the twentieth century that have enriched scholars' understanding of both prehistoric and ancient C...(展开全部)

The Chinese art collection in the Museum of Fine Arts, Boston, is one of the finest outside East Asia, with particularly superb holdings of paintings and ceramics, along with important sculptures, bronzes and examples of the decorative arts. Some 100 objects have been selected here to represent its riches, arranged to explore themes such as religion or the scholar tradition thr...(展开全部)

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresen...(展开全部)

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresen...(展开全部)