Taoism and the Arts of China brings together a remarkable collection of art from one of China's most ancient and influential traditions. Produced to accompany the first major exhibition ever organized on the Taoist philosophy and religion, this opulent book includes more than 150 works of art from as early as the late Zhou dynasty (fifth-third century b.c.) to the Qing dynasty ...(展开全部)

"The Religion of China: Confucianism and Taoism" (original Free Press edition 1951) is one of a number of works by the German sociologist Max Weber (1864-1920) published in English translation only long after his death, during a post-World-War II boom in Anglo-American interest in his writing. Such interest has recurred at irregular intervals since (one marked by this 1968 pape...(展开全部)

For the fifth edition of his internationally renowned "The Arts of China", Michael Sullivan has thoroughly revised and expanded every chapter of this classic history of Chinese art from the Neolithic period to the present day. This new edition reflects the latest archaeological discoveries, pays greater attention to the art of calligraphy, provides more information on Chan (Zen...(展开全部)

For the fifth edition of his internationally renowned "The Arts of China", Michael Sullivan has thoroughly revised and expanded every chapter of this classic history of Chinese art from the Neolithic period to the present day. This new edition reflects the latest archaeological discoveries, pays greater attention to the art of calligraphy, provides more information on Chan (Zen...(展开全部)

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresen...(展开全部)

In this volume, William Watson and Chuimei Ho begin with discussions of “fine” art and painting and progress to an analysis of carving and sculpture, ceramics, glassware, and textiles. The authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the “decorative” arts rose to prominence in a way quite unlike the western experience. Avoiding misrepresen...(展开全部)

From the late 1700s, an increasing number of British, American and continental European sailing ships brought back ship loads of exotic objects which found a ready market in America and Europe. The insatiable interest in the Orient resulted in a large range of painters depicting everyday life in China, as well as portraits of both Chinese and Westerners. Among other objects bro...(展开全部)

"Essential reading for anyone interested in gaining insight into how the passion of collecting, that pursuit of beautiful and compelling objects, contributed to the formation of our present-day understanding and appreciation of Chinese art."--Kris Imants Ercums, Curator of Asian Art, Spencer Museum of Art at the University of Kansas "Provides a wealth of information on the deal...(展开全部)

"Essential reading for anyone interested in gaining insight into how the passion of collecting, that pursuit of beautiful and compelling objects, contributed to the formation of our present-day understanding and appreciation of Chinese art."--Kris Imants Ercums, Curator of Asian Art, Spencer Museum of Art at the University of Kansas "Provides a wealth of information on the deal...(展开全部)